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Men, Women and Guitars in Romantic England

The 'Romantic' Guitar by Professor Christopher Page. 'If I could play upon the guitar', wrote John Keats in a letter, 'I might make my fortune ...'

This lecture will explore the beginnings of the guitar craze in Regency England around the time of Keats' birth in 1795, as a form of salon amateurism; it will reveal the deep involvement of the instrument with some of the most potent themes of romanticism, especially in contemporary poetry of the high tradition (notably by Shelley) and the newspaper variety, together with serialised fiction. These themes include the night, the supernatural, and the complex allure of Spain and its guitars, celebrated by Byron in Childe Harold. (from gresham.ac.uk)

The 'Romantic' Guitar


Go to the Series Home or watch other lectures:

1. The 'Romantic' Guitar
2. Being a Guitarist in the Time of Byron and Shelley
3. The Guitar, the Steamship and the Picnic: England on the Move
4. The Guitar and the Romantic Vision of the Medieval World
5. Harmony in the Lowest Home: The Guitar and the Labouring Poor
6. The Guitar and the 'the Fair Sex'