Aspects of Authenticity
From Composer to Printed Page by Professor Christopher Hogwood. Musical notation is both inexact and changeable; the assumptions of one period may be lost on following generations, and the greater part of written music still remains unpublished at the present day. The challenges of editing and presenting a text, either of a well-known classic or of an unknown writer differ in music from those faced in the similar worlds of literature or Biblical criticism.
The dilemmas created by composers' second thoughts and revisions, and disciples' 'improvements' require a 'correct' way of presenting obsolete information to the modern performer and raise questions which can both change our attitude to familiar works and resurrect forgotten treasures.
(from gresham.ac.uk)
From Composer to Printed Page |
Go to the Series Home or watch other lectures: