SPAN 300: Cervantes' Don Quixote
Lecture 16 - Don Quixote, Part II: Chapters XII-XXI (cont.). The loose format of the Quixote allows for the incorporation of different stories and texts, such as the Camacho's wedding, which was going to be a play. The episode, a form of epithalamium based on the myth of Pyramus and Thisbe, states one of the main themes of part two, that art corrects nature. As a way of turning deceit, which would normally lead to disillusionment, into a happy ending, in Camacho's wedding episode art helps nature to attain good ending. Gonzalez Echevarria claims that in this episode there is a subtext in which marriage is not only a legal institution but also a transcendental metamorphosis of matter, or transubstantiation. The literal blending of bloods that makes marriage indivisible is echoed here through what Gonzalez Echevarria calls 'the itinerary of blood.' In the interpretation of the myth Cervantes resembles Velazquez in that they both show the inner recesses of representation: they show creation as a layered process that ultimately involves the real. (from oyc.yale.edu)
| Lecture 16 - Don Quixote, Part II: Chapters XII-XXI (cont.) |
| Time | Lecture Chapters |
| [00:00:00] | 1. Major Themes in Camacho's Wedding |
| [00:05:40] | 2. "Pyramus and Thisbe"; Art Corrects Nature |
| [00:21:08] | 3. Marriage as Transubstantiation; The Itinerary of Blood |
| [00:39:21] | 4. Cervantes and Velazquez: Creation as a Layered Process |
| References |
| Lecture 16 - Don Quixote, Part II: Chapters XII-XXI (cont.) Instructor: Professor Roberto Gonzalez Echevarria. Transcript [html]. Audio [mp3]. Download Video [mov]. |
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