21L.011 The Film Experience
21L.011 The Film Experience (Fall 2013, MIT OCW). Instructor: Prof. David Thorburn. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period,
classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica,
and Kurosawa. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth analyses into interpretations and explore theoretical issues related to spectatorship.
(from ocw.mit.edu)
Lecture 01 - Introduction (2007) |
Lecture 02 - Keaton (2007) |
Lecture 03 - Chaplin, Part I (2007) |
Lecture 04 - Chaplin, Part II (2007) |
Lecture 05 - Film as Global and Cultural Form; Montage, Mise en Scene |
Lecture 06 - German Film, Murnau |
Lecture 07 - The Studio Era |
Lecture 08 - The Work of Movies; Capra and Hawks |
Lecture 09 - Alfred Hitchcock |
Lecture 10 - Shadow of a Doubt, Rear Window |
Lecture 11 - The Musical |
Lecture 12 - The Musical (Cont.) |
Lecture 13 - The Western |
Lecture 14 - The Western (Cont.) |
Lecture 15 - Film in the 1970s, Part I (2007) |
Lecture 16 - Film in the 1970s, Part II (2007) |
Lecture 17 - Jean Renoir and Poetic Realism |
Lecture 18 - Renoir's Grand Illusion (1937) |
Lecture 19 - Italian Neorealism, Part I (2007) |
Lecture 20 - Italian Neorealism, Part II (2007) |
Lecture 21 - Truffaut, the Nouvelle Vague, The 400 Blows |
Lecture 22 - Kurosawa and Rashomon |
Lecture 23 - Summary Perspectives - Film as Art and Artifact |
References |
21L.011 The Film Experience, Fall 2013
Instructor: Prof. David Thorburn. Films and Readings. Assignments. Lecture Notes. This course concentrates on close analysis and criticism of a wide range of films.
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